"My Heart Is A Little More Empty In The Flood" embraces the liminal point that traverses the first-person documentary: the intertwining between personal memory and collective experience. The film's structural elements: an emphasis on an element simultaneously natural and transfigured by the works of the lives of countless people, the figured climax in the encounter with a fortuitous and festive time; as if trying to underline these threads that run through the individual and the collective.